Kryeministri Edi Rama shfaqet n\u00eb nj\u00eb tjet\u00ebr k\u00ebndv\u00ebshtrim n\u00eb faqet e prestigjiozes spanjolle \u201dEL PA\u00cdS\u201d, e cila i ka kushtuar nj\u00eb profil t\u00eb gjat\u00eb rrug\u00ebtimit t\u00eb tij mes politik\u00ebs dhe artit. N\u00eb qend\u00ebr t\u00eb artikullit \u00ebsht\u00eb ekspozita e tij \u201cChrysalizing\u201d, e prezantuar n\u00eb galerin\u00eb Soci\u00e9t\u00e9 n\u00eb Berlin, ku Rama shfaq nj\u00eb tjet\u00ebr faz\u00eb t\u00eb krijimtaris\u00eb s\u00eb tij artistike: kalimin nga piktura drejt skulptur\u00ebs. Veprat e reja burojn\u00eb nga vizatimet e tij dhe m\u00eb pas shnd\u00ebrrohen, p\u00ebrmes teknologjis\u00eb dhe pun\u00ebs manuale, n\u00eb forma tredimensionale. Gazeta rikthen n\u00eb v\u00ebmendje vitet e hershme t\u00eb Ram\u00ebs n\u00eb Akademin\u00eb e Arteve t\u00eb Tiran\u00ebs gjat\u00eb regjimit komunist, nj\u00eb periudh\u00eb kur arti ishte i kufizuar nga rregullat e realizmit socialist.<\/p>\n
Edi Rama, kryeministri i Shqip\u00ebris\u00eb dhe artisti q\u00eb ekspozon n\u00eb Paris dhe Nju Jork Kreu i qeveris\u00eb s\u00eb vendit kandidat p\u00ebr n\u00eb BE sapo ka prezantuar n\u00eb Berlin nj\u00eb ekspozit\u00eb me skulptura bronzi t\u00eb krijuara nga printime 3D. \u201cArti \u00ebsht\u00eb nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb mos u \u00e7mendur, sepse politika mund t\u00eb jet\u00eb nj\u00eb \u00e7menduri. Dhe rreziku p\u00ebr t\u2019u budallallepsur \u00ebsht\u00eb i menj\u00ebhersh\u00ebm kur merresh me politik\u00eb\u201d.<\/p>\n
Edi Rama (Tiran\u00eb, 62 vje\u00e7), autori i k\u00ebtij pohimi, e di mir\u00eb se p\u00ebr \u00e7far\u00eb flet. Q\u00eb prej vitit 2013 \u00ebsht\u00eb kryeminist\u00ebr i Shqip\u00ebris\u00eb, autoriteti m\u00eb i lart\u00eb ekzekutiv i k\u00ebtij vendi t\u00eb vog\u00ebl ballkanik (2,75 milion\u00eb banor\u00eb) dhe i vetmi q\u00eb ka siguruar kat\u00ebr mandate radhazi. Ai \u00ebsht\u00eb gjithashtu kryetar i Partis\u00eb Socialiste dhe m\u00eb par\u00eb ka qen\u00eb minist\u00ebr i Kultur\u00ebs, Rinis\u00eb dhe Sporteve dhe kryetar i Bashkis\u00eb s\u00eb Tiran\u00ebs. Mbi t\u00eb gjitha, ai e p\u00ebrkufizon veten si artist.<\/p>\n
\u00cbsht\u00eb formuar si piktor n\u00eb Akademin\u00eb e Arteve t\u00eb Bukura t\u00eb Tiran\u00ebs, ku m\u00eb pas u b\u00eb edhe pedagog, nd\u00ebrsa sot veprat e tij jan\u00eb t\u00eb pranishme n\u00eb galeri me ndikim si Marian Goodman (Nju Jork dhe Paris), Nuno Centeno (Porto) apo Soci\u00e9t\u00e9 n\u00eb Berlin, ku takohemi n\u00eb nj\u00eb 1 maj me diell. \u00cbsht\u00eb m\u00ebngjesi pas hapjes s\u00eb ekspozit\u00ebs s\u00eb tij t\u00eb par\u00eb n\u00eb k\u00ebt\u00eb galeri, me titull \u201cChrysalizing\u201d, ku ka paraqitur skulpturat e tij t\u00eb reja n\u00eb bronz.<\/p>\n
Titulli i ekspozit\u00ebs evokon transformimin e praktik\u00ebs s\u00eb tanishme artistike t\u00eb Ram\u00ebs: nj\u00eb kalim nga piktura, disiplin\u00eb p\u00ebr t\u00eb cil\u00ebn deri tani njihej m\u00eb shum\u00eb nga publiku dhe kritika, drejt k\u00ebtyre skulpturave me forma zoomorfe, por q\u00eb nuk i p\u00ebrkasin asnj\u00eb taksonomie biologjike t\u00eb njohur. Dhe e gjith\u00eb kjo duke shmangur batut\u00ebn e famshme t\u00eb artistit konceptual amerikan Ad Reinhardt: \u201cSkulptura \u00ebsht\u00eb ajo gj\u00eb me t\u00eb cil\u00ebn p\u00ebrplasesh kur ec\u00ebn mbrapsht p\u00ebr t\u00eb admiruar nj\u00eb piktur\u00eb\u201d.<\/p>\n
P\u00ebr Ram\u00ebn, \u201c\u00ebsht\u00eb di\u00e7ka q\u00eb lindi natyrsh\u00ebm\u201d. Ai \u00ebsht\u00eb ulur i shpenguar n\u00eb nj\u00eb divan, me k\u00ebmb\u00ebt zbathur mbi tapetin e nj\u00ebr\u00ebs prej sallave t\u00eb Soci\u00e9t\u00e9, galeria q\u00eb e ka sjell\u00eb n\u00eb Berlin p\u00ebr Gallery Weekend, vorbull\u00ebn e madhe artistike vjetore t\u00eb kryeqytetit gjerman. \u201cP\u00ebr m\u00eb tep\u00ebr, t\u00eb gjitha k\u00ebto vepra vijn\u00eb nga pikturat e mia t\u00eb m\u00ebparshme, t\u00eb cilat jan\u00eb shnd\u00ebrruar n\u00eb skulptura. Me an\u00eb t\u00eb inteligjenc\u00ebs artificiale krijoj nj\u00eb model digjital dhe, prej tij, realizoj nj\u00eb printim 3D. M\u00eb pas punoj me dor\u00eb\u201d.<\/p>\n
I veshur me t\u00eb zeza, p\u00ebrve\u00e7 atleteve t\u00eb bardha q\u00eb q\u00ebndrojn\u00eb pran\u00eb kolltukut, Rama duket disi imponues, jo vet\u00ebm p\u00ebr shkak t\u00eb gjat\u00ebsis\u00eb s\u00eb tij (1,98 metra) dhe trupit t\u00eb fuqish\u00ebm, por edhe p\u00ebr seriozitetin fillestar. Nj\u00eb solemnitet q\u00eb nis t\u00eb shkrihet kur kujton vitet universitare n\u00eb Akademin\u00eb e Arteve t\u00eb Tiran\u00ebs gjat\u00eb regjimit diktatorial t\u00eb Enver Hoxh\u00ebs, nj\u00eb prej regjimeve m\u00eb t\u00eb mbyllura dhe m\u00eb kriminale t\u00eb bot\u00ebs komuniste.<\/p>\n
\u201cIshte nj\u00eb shkoll\u00eb e bazuar n\u00eb disiplin\u00ebn dhe metod\u00ebn e programeve sovjetike\u201d, kujton ai. \u201cI kushtohej shum\u00eb r\u00ebnd\u00ebsi vizatimit realist, piktur\u00ebs dhe kompozimit. Profesionalisht ishte nj\u00eb shkoll\u00eb shum\u00eb solide, por nuk kishte liri. \u201cKishte vet\u00ebm realiz\u00ebm socialist, pik\u00eb\u201d.Ndryshe nga \u00e7\u2019ndodhte n\u00eb shtete t\u00eb tjera komuniste, n\u00eb Shqip\u00ebri arti i shekullit XX ishte i ndaluar. \u201cN\u00eb fakt, n\u00eb vitin 1986, kur p\u00ebrfundova studimet, historia e artit n\u00eb Akademi pushonte s\u00eb qeni vizuale te Gustave Courbet.<\/p>\n
Imazhi i fundit q\u00eb na tregonin ishte vepra e tij \u2018Atelier-i i piktorit\u2019, e vitit 1855. Pas k\u00ebsaj kishte vet\u00ebm leksione pa imazhe, vet\u00ebm akuza dhe qortime ndaj artist\u00ebve t\u00eb degjeneruar dhe asaj shoq\u00ebrie t\u00eb degjeneruar q\u00eb e kthente jasht\u00ebqitjen n\u00eb art\u201d. Paralelisht me studimet, Rama nd\u00ebrtoi nj\u00eb karrier\u00eb modeste si basketbollist gjysm\u00ebprofesionist. \u201cGjat\u00ebsia ime ishte vendimtare\u201d, pranon ai. \u201cP\u00ebrve\u00e7 k\u00ebsaj, vuaja nga astma dhe prind\u00ebrit e mi menduan se do t\u00eb ishte mir\u00eb t\u00eb merresha me ndonj\u00eb sport. Dhe k\u00ebshtu p\u00ebrfundova n\u00eb ekipin komb\u00ebtar n\u00eb mosh\u00ebn 20-vje\u00e7are\u201d.<\/p>\n
Megjithat\u00eb, arsyeja kryesore p\u00ebr t\u00eb luajtur basketboll ishte d\u00ebshira p\u00ebr t\u00eb udh\u00ebtuar jasht\u00eb vendit. \u201cNj\u00eb nga m\u00ebnyrat e pakta p\u00ebr t\u00eb dal\u00eb nga vendi ishte duke praktikuar sport n\u00eb aren\u00ebn europiane. Dhe un\u00eb doja t\u00eb dilja p\u00ebr t\u00eb vizituar muze. Ky ishte objektivi im\u201d. Por plani nuk i shkoi si\u00e7 e kishte menduar. N\u00eb vitin 1984, destinacioni i tij i par\u00eb nd\u00ebrkomb\u00ebtar ishte Paderborni, pran\u00eb Dyseldorfit. \u201cB\u00ebm\u00eb ndales\u00eb n\u00eb Vjen\u00eb sepse nuk kishte fluturime direkte. Pasdite u largova fshehurazi nga hoteli p\u00ebr t\u00eb vizituar Muzeun e Historis\u00eb s\u00eb Artit\u201d, kujton.<\/p>\n
\u201cNuk dija si t\u00eb orientohesha, nuk kisha as hart\u00eb. Nuk doja as t\u00eb merrja autobusin nga frika se mos humbisja. Ishte n\u00ebntor dhe binte bor\u00eb, ndaj vazhdova t\u00eb ecja pa pushim, duke pyetur njer\u00ebzit n\u00eb rrug\u00eb si mund t\u00eb shkoja te muzeu. Po err\u00ebsohej kur mb\u00ebrrita. U afrova te ajo der\u00eb e madhe dhe gjeta nj\u00eb tabel\u00eb ku shkruhej: \u2018E mart\u00eb, mbyllur\u2019. M\u2019u desh t\u00eb prisja edhe pes\u00eb vjet\u201d.<\/p>\n
Pas asaj vizite t\u00eb d\u00ebshtuar, e kompensoi n\u00eb vitin 1989 n\u00eb Galerin\u00eb e Arteve t\u00eb Bremenit, s\u00ebrish gjat\u00eb nj\u00eb udh\u00ebtimi p\u00ebr nj\u00eb aktivitet sportiv. \u201cIshte mahnit\u00ebse, sikur t\u00eb takoja fantazmat p\u00ebr t\u00eb cilat kisha \u00ebnd\u00ebrruar gjithmon\u00eb. N\u00eb hyrje kishte disa shkall\u00eb q\u00eb i ngjita duke u dridhur dhe, kur arrita lart, u gjenda p\u00ebrball\u00eb nj\u00eb skulpture t\u00eb Rodin-it dhe nj\u00eb pikture t\u00eb Picasso-s. Ishte si t\u00eb ishe i virgj\u00ebr dhe t\u00eb hyje n\u00eb nj\u00eb bordello. Ishte nj\u00eb ndjesi shum\u00eb erotike, shum\u00eb intensive\u201d.<\/p>\n
\u201cIshte sikur t\u00eb takoja fantazmat p\u00ebr t\u00eb cilat kisha \u00ebnd\u00ebrruar gjithmon\u00eb.\u201d Pas r\u00ebnies s\u00eb Perdes s\u00eb Hekurt, n\u00eb vitin 1994 u zhvendos n\u00eb Paris me burs\u00eb n\u00eb Cit\u00e9 Internationale des Arts. \u201cObjektivi im ishte t\u00eb sh\u00ebtisja bot\u00ebn. K\u00ebshtu q\u00eb, p\u00ebr nj\u00ebfar\u00eb kohe, e vetmja gj\u00eb q\u00eb b\u00ebja ishte t\u00eb shisja piktura, t\u00eb blija bileta avioni dhe t\u00eb q\u00ebndroja n\u00eb sht\u00ebpit\u00eb e t\u00eb njohurve\u201d.<\/p>\n
N\u00eb vitin 1998, administrata e re shqiptare trokiti n\u00eb der\u00ebn e tij duke i ofruar Ministrin\u00eb e Kultur\u00ebs. \u201cPolitika ka shum\u00eb kuptim dhe \u00ebsht\u00eb p\u00ebr t\u00eb ardhur keq q\u00eb e ka humbur\u201d, kund\u00ebrshton ai. \u201c\u00cbsht\u00eb forma m\u00eb e lart\u00eb e angazhimit dhe e procesit intelektual: duhet t\u00eb b\u00ebsh q\u00eb gj\u00ebrat t\u00eb ndodhin, jo me boj\u00eb, as me piano, por me njer\u00ebz. Dhe kjo \u00ebsht\u00eb shum\u00eb e v\u00ebshtir\u00eb. \u00cbsht\u00eb nj\u00eb luft\u00eb p\u00ebr t\u00eb sjell\u00eb ndryshim\u201d. Tre vjet m\u00eb von\u00eb mori drejtimin e Bashkis\u00eb s\u00eb Tiran\u00ebs, qytet q\u00eb e qeverisi p\u00ebr nj\u00eb dekad\u00eb. N\u00eb at\u00eb periudh\u00eb transformoi disa nd\u00ebrtesa t\u00eb epok\u00ebs komuniste, duke u dh\u00ebn\u00eb fasada gjeometrike plot ngjyra.<\/p>\n
\u201cKryeqyteti ishte i shkat\u00ebrruar dhe ne nuk kishim para. Tirana kishte vet\u00ebm 78 shtylla ndri\u00e7imi funksionale. Disa pulsonin dhe t\u00eb tjerat nuk sh\u00ebrbenin p\u00ebr asgj\u00eb. Situata ishte e tmerrshme. Kudo kishte nd\u00ebrtime pa leje. P\u00ebr m\u00eb tep\u00ebr, i gjith\u00eb buxheti yn\u00eb p\u00ebr investime ishte vet\u00ebm 6,3 milion\u00eb dollar\u00eb\u201d. At\u00ebher\u00eb i fol\u00ebn p\u00ebr nj\u00eb projekt p\u00ebr restaurimin e trotuareve dhe fasadave.<\/p>\n
\u201cMe \u00e7far\u00eb ngjyrash do t\u2019i lyeni sht\u00ebpit\u00eb?\u201d, pyeta. \u201cMe ngjyrat origjinale\u201d, m\u00eb than\u00eb. \u201cPor nd\u00ebrtesat nuk ishin m\u00eb origjinalet!\u201d. Blloqet ishin deformuar nga nd\u00ebrhyrjet e banor\u00ebve: dritare t\u00eb zmadhuara, kate shtes\u00eb t\u00eb ngritura nga hi\u00e7i, ballkone t\u00eb mbyllura n\u00eb \u00e7far\u00ebdo m\u00ebnyre. \u201cDeri at\u00ebher\u00eb un\u00eb punoja vet\u00ebm bardh e zi. Dhe ai ishte momenti kur ngjyrat erdh\u00ebn n\u00eb tryez\u00ebn time t\u00eb pun\u00ebs p\u00ebr t\u00eb pikturuar pjes\u00ebt e jashtme dhe p\u00ebr t\u2019u dh\u00ebn\u00eb jet\u00eb\u201d, p\u00ebrshkruan ai.<\/p>\n
Tregon se ajo nd\u00ebrhyrje p\u00ebrmbysi prirjen e viteve n\u00ebnt\u00ebdhjet\u00eb n\u00eb qytet p\u00ebr t\u00eb menduar vet\u00ebm p\u00ebr hap\u00ebsir\u00ebn private dhe jo p\u00ebr at\u00eb t\u00eb p\u00ebrbashk\u00ebt. \u201cGjat\u00eb pes\u00eb dekadave t\u00eb m\u00ebparshme, qytetar\u00ebt nuk kishin pasur pron\u00eb private; u thoshin se gjith\u00e7ka ishte e tyre, por n\u00eb t\u00eb v\u00ebrtet\u00eb nuk zot\u00ebronin asgj\u00eb.<\/p>\n
Prandaj ndien nevoj\u00ebn t\u00eb pohonin t\u00eb drejtat e tyre individuale\u201d. Hap\u00ebsira publike ishte kthyer n\u00eb nj\u00eb vend p\u00ebr t\u2019u zaptuar ose p\u00ebr t\u00eb hedhur mbeturina. Por kjo dinamik\u00eb ndryshoi me ato fasada t\u00eb pazakonta shum\u00ebngjyr\u00ebshe. Kur Tirana n\u00eb t\u00ebr\u00ebsi arrinte t\u00eb mblidhte vet\u00ebm 4% t\u00eb tarifave, n\u00eb rrug\u00ebt ku ishte nd\u00ebrhyr\u00eb, mbledhja e tyre arriti n\u00eb 100%. \u201cNjer\u00ebzit filluan t\u00eb paguanin taksat sepse kuptuan se Bashkia po b\u00ebnte di\u00e7ka p\u00ebr ta\u201d, shpjegon.<\/p>\n
\u201cDhe u p\u00ebrmir\u00ebsua edhe siguria. M\u00ebsova se bukuria dhe past\u00ebrtia jan\u00eb m\u00eb imponuese se policia. N\u00ebse d\u00ebshiron q\u00eb njer\u00ebzit t\u00eb jen\u00eb m\u00eb pak agresiv\u00eb ndaj pron\u00ebs publike, sigurohu q\u00eb estetika e saj t\u2019u imponoj\u00eb respekt\u201d.<\/p>\n
\u201cM\u00ebsova se bukuria dhe past\u00ebrtia jan\u00eb m\u00eb imponuese se policia.\u201d N\u00eb vitin 2013, Rama u b\u00eb kryeminist\u00ebr i Shqip\u00ebris\u00eb, kulmi i karrier\u00ebs s\u00eb tij politike, pa e braktisur megjithat\u00eb an\u00ebn e tij si artist. K\u00ebt\u00eb e d\u00ebshmojn\u00eb pjes\u00ebmarrjet e tij n\u00eb Bienalen e Venecias n\u00eb vitet 2003 dhe 2017. Nj\u00eb aktivitet q\u00eb k\u00ebt\u00eb vit nisi mes polemikave, pasi juria vendosi t\u00eb p\u00ebrjashtonte Rusin\u00eb dhe Izraelin nga gara p\u00ebr \u00e7mimet zyrtare. Pas refuzimit t\u00eb organizator\u00ebve p\u00ebr t\u00eb ndaluar pavijonet e t\u00eb dy vendeve, juria dha dor\u00ebheqjen n\u00eb bllok.<\/p>\n
\u201cPolitika nuk duhet t\u00eb p\u00ebrzihet me artin\u201d, thot\u00eb prer\u00eb ai. \u201cDhe vendimi n\u00ebse nj\u00eb vend duhet pranuar apo jo n\u00eb Bienale nuk i takon juris\u00eb. Ky vendim u takon organizator\u00ebve. Dhe n\u00ebse ata duan q\u00eb ato vende t\u00eb jen\u00eb t\u00eb pranishme n\u00eb Bienale, duhet t\u00eb jen\u00eb. Funksioni i juris\u00eb \u00ebsht\u00eb t\u00eb gjykoj\u00eb artin, jo politik\u00ebn bot\u00ebrore. As t\u00eb p\u00ebrcaktoj\u00eb kush \u00ebsht\u00eb i miri dhe kush \u00ebsht\u00eb i keqi n\u00eb k\u00ebt\u00eb planet\u201d.<\/p>\n
Kur kryeministri pyetet n\u00ebse nuk mendon se arti duhet t\u00eb p\u00ebrfshihet n\u00eb k\u00ebto \u00e7\u00ebshtje, p\u00ebrgjigjet prer\u00eb: \u201cQ\u00ebllimi i artit nuk \u00ebsht\u00eb t\u00eb ndryshoj\u00eb bot\u00ebn. Ai duhet t\u00eb ndryshoj\u00eb k\u00ebndv\u00ebshtrimin e njer\u00ebzve dhe t\u00eb krijoj\u00eb nj\u00eb hap\u00ebsir\u00eb ku ata t\u00eb mund t\u00eb p\u00ebrpunojn\u00eb idet\u00eb e tyre dhe t\u00eb p\u00ebrparojn\u00eb. Nuk ka misionin t\u00eb ndaloj\u00eb luft\u00ebrat apo t\u00eb l\u00ebshoj\u00eb d\u00ebnime dhe nuk duhet t\u00eb ofroj\u00eb zgjidhjet q\u00eb i takojn\u00eb politik\u00ebs. P\u00ebrzierja e t\u00eb dyja fushave \u00ebsht\u00eb e tmerrshme\u201d.<\/p>\n
Por si ndihet ai p\u00ebr momentin aktual?<\/p>\n
\u201cNdihem i bekuar q\u00eb nuk jam mes atyre q\u00eb ndodhen n\u00eb vendin nga ku merren sot vendimet e m\u00ebdha. Shqip\u00ebria \u00ebsht\u00eb aq e vog\u00ebl sa askush nuk pret q\u00eb un\u00eb t\u00eb marr ndonj\u00eb vendim t\u00eb madh p\u00ebr planetin. Dhe kjo \u00ebsht\u00eb fat, sepse nuk kam asnj\u00eb ide se \u00e7far\u00eb do t\u00eb b\u00ebja apo \u00e7far\u00eb mund t\u00eb b\u00ebja. Gj\u00ebrat po shkojn\u00eb mjaft keq n\u00eb k\u00ebt\u00eb an\u00eb t\u00eb bot\u00ebs, po\u201d.<\/p>\n
\u201cQ\u00ebllimi i artit nuk \u00ebsht\u00eb t\u00eb ndryshoj\u00eb bot\u00ebn. Ai duhet t\u00eb ndryshoj\u00eb k\u00ebndv\u00ebshtrimin e njer\u00ebzve\u201d. Megjithat\u00eb, n\u00eb rastin e Ram\u00ebs, arti i tij \u00ebsht\u00eb politik, t\u00eb pakt\u00ebn n\u00eb m\u00ebnyr\u00eb t\u00eb t\u00ebrthort\u00eb, sepse nj\u00eb pjes\u00eb t\u00eb pikturave i krijon gjat\u00eb konferencave zyrtare dhe mbledhjeve n\u00eb Kryeministri, selia e qeveris\u00eb shqiptare. Rrjedh\u00eb e vet\u00ebdijes? Krijime n\u00ebnnd\u00ebrgjegjshme? \u201cNuk e di. E gjith\u00eb ajo terminologji nuk \u00ebsht\u00eb p\u00ebr mua\u201d, p\u00ebrgjigjet. \u201cE b\u00ebj sepse m\u00eb b\u00ebn t\u00eb ndihem mir\u00eb. \u00cbsht\u00eb e ngjashme me at\u00eb q\u00eb m\u00eb ndodh kur duhet t\u00eb marr infuzione p\u00ebr t\u00eb leht\u00ebsuar migren\u00ebn. \u00cbsht\u00eb nj\u00eb m\u00ebnyr\u00eb p\u00ebr t\u2019u detoksifikuar, p\u00ebr t\u00eb holluar helmin e politik\u00ebs\u201d.<\/p>\n
Megjithat\u00eb, ai \u00ebsht\u00eb skeptik ndaj imazhit sipas t\u00eb cilit politikan\u00ebt jan\u00eb t\u00eb ligj, nd\u00ebrsa artist\u00ebt qenie drite. \u201cNuk \u00ebsht\u00eb e v\u00ebrtet\u00eb. Artist\u00ebt mund t\u00eb jen\u00eb t\u00eb k\u00ebqij dhe politikan\u00ebt engj\u00ebj\u201d. Nj\u00eb dualitet, art\/politik\u00eb, q\u00eb p\u00ebr t\u00eb nuk \u00ebsht\u00eb problematik. \u201cE vetmja gj\u00eb q\u00eb nuk b\u00ebj \u00ebsht\u00eb t\u2019ua shes veprat e mia shqiptar\u00ebve ose dikujt q\u00eb ka biznese n\u00eb Shqip\u00ebri\u201d, shpjegon. \u201c\u00c7\u00ebshtja \u00ebsht\u00eb t\u00eb verifikohet kushdo q\u00eb d\u00ebshiron t\u00eb blej\u00eb nj\u00eb nga veprat e mia. N\u00ebse ndonj\u00eb nga galerit\u00eb me t\u00eb cilat punoj merr nj\u00eb k\u00ebrkes\u00eb p\u00ebr blerje, ma p\u00ebrcjell dhe kontrollohen t\u00eb dh\u00ebnat e atij personi p\u00ebr t\u2019u siguruar q\u00eb nuk ekziston asnj\u00eb lidhje me pun\u00ebn time qeveritare\u201d.<\/p>\n
Nd\u00ebrkoh\u00eb, pikturat e tij, nj\u00eb lloj shkarravinash jasht\u00ebzakonisht shum\u00ebngjyr\u00ebshe, vazhdojn\u00eb t\u00eb grumbullohen n\u00eb muret e zyr\u00ebs s\u00eb tij n\u00eb kryeqytetin shqiptar, nj\u00eb ndales\u00eb pothuajse e detyrueshme p\u00ebr udh\u00ebheq\u00ebsit bot\u00ebror\u00eb gjat\u00eb vizitave zyrtare. \u201cN\u00ebse pendohem p\u00ebr di\u00e7ka, \u00ebsht\u00eb q\u00eb nuk i kam filmuar\u201d, b\u00ebn shaka ai. \u201cFillova ta b\u00ebja shum\u00eb von\u00eb. Ka nga t\u00eb gjitha llojet e reagimeve dhe \u00ebsht\u00eb shum\u00eb arg\u00ebtuese. Do t\u00eb kishte dal\u00eb nj\u00eb film i jasht\u00ebzakonsh\u00ebm. Mendoj se kam t\u00eb regjistruar John Kerry-n dhe Mark Rutte-n\u201d. Dhe gjithashtu Pedro S\u00e1nchez-in.<\/p>\n
\u201cKa shije t\u00eb shk\u00eblqyer. Dhe organizoi samitin m\u00eb t\u00eb paharruesh\u00ebm t\u00eb NATO-s n\u00eb histori n\u00eb Muzeun Prado! \u00cbsht\u00eb di\u00e7ka q\u00eb nuk do ta harroj kurr\u00eb\u201d, thekson ai. N\u00eb kabinetin e tij, p\u00ebrpara k\u00ebtyre krijimeve, disa udh\u00ebheq\u00ebs sillen normalisht, t\u00eb tjer\u00eb shfaqen t\u00eb habitur dhe pjesa tjet\u00ebr mbetet duke menduar se \u00e7far\u00eb t\u00eb thot\u00eb. \u201cNj\u00ebri prej tyre, nuk do t\u2019ia them emrin, nuk ndihej shum\u00eb rehat\u201d, pranon ai. \u201cPapritur m\u00eb pyeti: \u2018Ku \u00ebsht\u00eb zyra juaj?\u2019. I thash\u00eb: \u2018Kjo \u00ebsht\u00eb zyra ime\u2019. \u2018Po k\u00ebto \u00e7far\u00eb jan\u00eb?\u2019, k\u00ebmb\u00ebnguli.<\/p>\n
I shpjegova se ishin vizatimet e mia. \u2018Pikturoni mbi mur?\u2019, m\u00eb pyeti. I sqarova se i b\u00ebj mbi tavolin\u00ebn e pun\u00ebs dhe m\u00eb pas prodhoj let\u00ebr-muri q\u00eb vendoset n\u00eb mure. Ai thirri: \u2018Ju jeni nj\u00eb njeri i \u00e7uditsh\u00ebm, Edi Rama. Mendova se ky ishte vendi ku kujdesen p\u00ebr f\u00ebmij\u00ebt e punonj\u00ebsve kur nuk mund t\u2019i \u00e7ojn\u00eb n\u00eb \u00e7erdhe\u2019. Un\u00eb vet\u00ebm munda t\u2019i p\u00ebrgjigjesha: \u2018Jo, i vetmi f\u00ebmij\u00eb k\u00ebtu jam un\u00eb\u2019\u201d. \u201cJo, i vetmi f\u00ebmij\u00eb k\u00ebtu jam un\u00eb.\u201d<\/p>\n
\u201cJo, i vetmi f\u00ebmij\u00eb k\u00ebtu jam un\u00eb.\u201d\/El Pais\/<\/p>","protected":false},"excerpt":{"rendered":"
Kryeministri Edi Rama shfaqet n\u00eb nj\u00eb tjet\u00ebr k\u00ebndv\u00ebshtrim n\u00eb faqet e prestigjiozes spanjolle \u201dEL PA\u00cdS\u201d, e cila i ka kushtuar nj\u00eb profil t\u00eb gjat\u00eb rrug\u00ebtimit t\u00eb tij mes politik\u00ebs dhe artit. N\u00eb qend\u00ebr t\u00eb artikullit \u00ebsht\u00eb ekspozita e tij \u201cChrysalizing\u201d, e prezantuar n\u00eb galerin\u00eb Soci\u00e9t\u00e9 n\u00eb Berlin, ku Rama shfaq nj\u00eb tjet\u00ebr faz\u00eb t\u00eb krijimtaris\u00eb […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-97371","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/97371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=97371"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/97371\/revisions"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=97371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=97371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=97371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}