Nga Aladin Stafa\/<\/p>\n
Kishim gabuar kur mendonim se kultura e frekuentimit t\u00eb kinemas\u00eb kish humbur nd\u00ebr vite nd\u00ebrsa \u201crehatoheshim\u201c para Netflix. Dy jav\u00ebt e fundit treguan t\u00eb kund\u00ebrt\u00ebn. Kinemat\u00eb e gjith\u00eb bot\u00ebs u \u201cpushtuan\u201c nga turma t\u00eb frikshme ndjek\u00ebsish p\u00ebr dy filmat e fundit amerikan\u00eb, \u201cOdiseja\u201c dhe \u201cSpider-Man\u201c.<\/p>\n
Algoritmi dhe rrjetet sociale gjithashtu u fokusuan ndjesh\u00ebm n\u00eb k\u00ebto dy vepra kinematografike. Totalisht t\u00eb ndrysh\u00ebm p\u00ebr epok\u00ebn q\u00eb p\u00ebrfaqsojn\u00eb por me mesazhin e nj\u00ebjt\u00eb; kthimi n\u00eb sht\u00ebpi, kthimi te vetja p\u00ebr nj\u00eb fillim t\u00eb ri.<\/p>\n
Me k\u00ebto prodhime kinemaje, kontinenti amerikan tregoi nj\u00ebherazi p\u00ebr nj\u00eb koh\u00eb shum\u00eb t\u00eb shkurt\u00ebr, se jo vet\u00ebm k\u00ebrkon ta dominoj\u00eb globin n\u00eb politik\u00eb e ushtri, por edhe n\u00eb sporte e art. Arti- si nj\u00eb \u201csoft power\u201d, pa d\u00ebmtime objektive, vec t\u00ebrheqjes s\u00eb masave n\u00ebp\u00ebrmjet \u201camerikanizimit\u201d. Nj\u00eb metod\u00eb kjo, q\u00eb fillesat i ka n\u00eb Hollywood.<\/p>\n
P\u00ebr m\u00eb shum\u00eb se 5 or\u00eb prodhimtari kinematografike, (p\u00ebrfshir\u00eb k\u00ebtu t\u00eb dy filmat) ngulja para ekranit t\u00eb madh demonstroi edhe nj\u00ebher\u00eb se influenca nj\u00eb pushteti tjet\u00ebr, atij m\u00eb t\u00eb but\u00eb e q\u00eb kish koh\u00eb pa u ndjer\u00eb, vulosi nj\u00ebher\u00eb e mir\u00eb, n\u00eb subkoshienc\u00ebn e popujve forc\u00ebn dominuese t\u00eb Amerik\u00ebs.<\/p>\n
P\u00ebr t\u2018u kthyer te Odiseja, vepra e regjisorit t\u00eb mir\u00ebnjohur Christopher Nolan, nj\u00eb projekt sa i dashur aq edhe i kritikuar, ai tregoi se tundoi shum\u00eb breza. Nj\u00ebri duke i q\u00ebndruar besnik versionit t\u00eb vjet\u00ebr p\u00ebr shkak t\u00eb nostalgjis\u00eb, nd\u00ebrsa t\u00eb rinjt\u00eb i besojn\u00eb k\u00ebtij versioni t\u00eb ri sepse shohin aty t\u00eb pasqyruar t\u00eb ardhmen.<\/p>\n
Nj\u00eb nga aspektet m\u00eb interesante nuk \u00ebsht\u00eb vet\u00eb filmi, por fakti se si nj\u00eb poeme e shkruar rreth tet\u00eb shekuj Para Krishtit, arrin t\u00eb mbush\u00eb sallat e t\u00eb jet\u00eb kaq aktuale edhe n\u00eb vitin 2026. Duket se nuk u shit thjesht produkti, por e t\u00ebra si nj\u00eb kujtes\u00eb kolektive. Nj\u00eb histori q\u00eb t\u00eb gjith\u00eb besojn\u00eb se e njohin, madje edhe pa e lexuar Homerin.<\/p>\n
Nj\u00eb mit, q\u00eb gjithkush sadopak e paralelizon me t\u00eb, jet\u00ebn e tij plot sfida, suksese dhe humbje. Ky ishte nj\u00eb marketing i nj\u00eb niveli t\u00eb lart\u00eb, ku shitja e nj\u00eb identiteti u b\u00eb arsyeja e lindjes s\u00eb nj\u00eb fenomeni kulturor p\u00ebrtej kinemas\u00eb.<\/p>\n
Por Nolan nuk riktheu vet\u00ebm Odisen\u00eb, ai ngriti nj\u00ebherazi pyetjen e jet\u00ebs, cfar\u00eb ndodh me nj\u00eb njeri apo nj\u00eb komb, kur lufta mbaron nd\u00ebrsa udh\u00ebtimi ende jo?!<\/p>\n
Shqip\u00ebria dhe Greqia e tanishme, jan\u00eb ende brenda Odises\u00eb. Tre mij\u00eb vjet m\u00eb par\u00eb nuk kish kufij, por porte, tregtar\u00eb, dete, mite e zota. Sot human\u00ebt rreken t\u00eb debatojn\u00eb se kujt i p\u00ebrket historia, nd\u00ebrsa vet\u00eb historia riciklon vetveten.<\/p>\n
Odiseja nuk ishte pron\u00eb e askujt, por produkt i nj\u00eb qytet\u00ebrimi mesdhetar. E pik\u00ebrisht k\u00ebtu q\u00ebndron ende paradoksi yn\u00eb n\u00eb Ballkan: betejat e s\u00eb kaluar\u00ebs duke m\u00ebnjanuar nd\u00ebrtimin e s\u00eb ardhmes.<\/p>\n
Shqip\u00ebria e sotme po e jeton Odisen\u00eb e saj. Shqip\u00ebria ashtu sikurse Odiseja, ka korrur gjate viteve luftra gjith\u00ebaq simbolike. Duke nisur nga hyrja n\u00eb NATO, negociatat p\u00ebr t\u2019u b\u00ebr\u00eb pjes\u00eb e BE-s\u00eb, luhatjet n\u00eb turiz\u00ebm nga viti n\u00eb vit, ekonomia me statistika por pyetja q\u00eb ngrihet \u00ebsht\u00eb: a po afrohemi me Itak\u00ebn apo vet\u00ebm po endemi brigjeve t\u00eb saj tej e andej ku t\u00eb na fryjn\u00eb er\u00ebrat?!<\/p>\n
Aty ku dukej se gjithcka mori fund, hileja e Odises\u00eb q\u00eb coi n\u00eb fitoren e luft\u00ebs, u b\u00eb shkaktarja e nj\u00eb vet\u00ebk\u00ebnaq\u00ebsie t\u00eb prap\u00eb, duke k\u00ebrkuar k\u00ebsisoj t\u00eb p\u00ebrballej edhe me \u201cZotat\u201c gjat\u00eb kthimit p\u00ebr n\u00eb sht\u00ebpi. Mjaftuesh\u00ebm p\u00ebr t\u00eb na treguar se cdo sukses i padrejt\u00eb, ka nj\u00eb cmim t\u00eb lart\u00eb dhe nuk mund t\u00eb shijohet gjat\u00eb.<\/p>\n
Metaforat e Odises\u00eb duke i paralelizuar me situat\u00ebn e Shqip\u00ebris\u00eb jan\u00eb m\u00eb t\u00eb qarta se kurr\u00eb:<\/p>\n
Ciklopi apo Polifemi, biri i Poseidonit, zotit t\u00eb detit i kushtoi r\u00ebnd\u00eb mbretit t\u00eb Itak\u00ebs. Ai i cili vet\u00ebm me nj\u00eb sy nuk e shihte realitetin por thjesht versionin e tij. Politika shqiptare shpesh sillet si Polifemi, e shk\u00ebputur nga masa ku cdo pal\u00eb ka monopolin e t\u00eb v\u00ebrtet\u00ebs s\u00eb saj. Dhe ndonj\u00ebher\u00eb forca e madhe ja verbon largpam\u00ebsin\u00eb.<\/p>\n
Sirenat, nj\u00eb sfid\u00eb tunduese p\u00ebr Odisen\u00eb dhe ekuipazhin e tij. Ato nuk jan\u00eb detyruese, por josh\u00ebse. Sot fare mir\u00eb \u201csirenat\u201d mund t\u00eb jen\u00eb algoritmet, propaganda, marketingu si edhe videot 30-sekond\u00ebshe n\u00eb Instagram apo TikTok. Ato nuk t\u00eb imponohen, por t\u00eb b\u00ebjn\u00eb t\u2018ua dor\u00ebzosh vet\u00eb lirin\u00eb t\u00ebnde.<\/p>\n
Mandej Circe, e cila i transformoi n\u00eb kafsh\u00eb shok\u00ebt e tij, si p\u00ebr t\u00eb na treguar se pangop\u00ebsia, humbja e logjik\u00ebs dhe e kontrollit e deformon shpirtin njer\u00ebzor. N\u00eb jet\u00eb njeriu duhet t\u00eb kontrolloj\u00eb pushtetin dhe forc\u00ebn e tij. Ekstremet n\u00eb varf\u00ebri apo pasuri kane pasoja; nj\u00ebra n\u00eb humbjen e identitetit e tjetra n\u00eb lakmi e bab\u00ebzi.<\/p>\n
Ishte dhe Hadi, aty ku Odiseja pa se cfar\u00eb e priste pas vdekjes. Bota e p\u00ebrtejme, plot miq e armiq, fytyrat e t\u00eb cilave u shfaq\u00ebn para tij n\u00eb m\u00ebnyr\u00ebn m\u00eb t\u00eb ashp\u00ebr. Njeriu jeton n\u00eb Tok\u00eb me qet\u00ebsin\u00eb se e p\u00ebrtejmja do t\u00eb jet\u00eb m\u00eb e leht\u00eb se m\u00ebkatet e b\u00ebra n\u00eb an\u00ebn tjet\u00ebr t\u00eb saj.<\/p>\n
Kalipso, i premtoi Odises\u00eb pavdeksin\u00eb por ai zgjodhi sht\u00ebpin\u00eb. Nj\u00ebsoj sikurse shqiptar\u00ebve i ofrohet sot Europa, paga, siguria dhe qet\u00ebsia. Por n\u00ebse t\u00eb gjith\u00eb do t\u00eb zgjidhnim Kalipson, kush do t\u00eb mbetej p\u00ebr t\u00eb nd\u00ebrtuar Itak\u00ebn?!<\/p>\n
Penelopa\u2026jo thjesht nj\u00eb grua q\u00eb pret, por nj\u00eb vend, nj\u00eb popull q\u00eb dit\u00ebn thur shpres\u00ebn e nat\u00ebn k\u00ebrkon t\u2018i largohet me t\u00eb katra realitetit.<\/p>\n
Shqip\u00ebria jeton ende n\u00eb tranzicion prej m\u00eb shum\u00eb se tri dekadash. Sikur lufta t\u00eb ket\u00eb mbaruar n\u00eb fillim t\u00eb viteve \u201890 nd\u00ebrs udh\u00ebtimi vazhdon. Institucionet nd\u00ebrtohen, besimi l\u00ebkundet, emigracioni vazhdon, demokracia ekziston por qytetari dyshon.<\/p>\n
Ndoshta pse \u201cOdiseja\u201c na emocionon nuk \u00ebsht\u00eb sepse ne duam mitet, por nj\u00eb tjet\u00ebr imazh. Ai se n\u00eb cdo sfid\u00eb q\u00eb hasim, shpresojm\u00eb t\u00eb shohim at\u00eb cop\u00eb tok\u00eb. Dhe pyetja nuk \u00ebsht\u00eb n\u00ebse \u201cItaka\u201d ekziston, por n\u00ebse kur t\u00eb mund t\u00eb mb\u00ebrrijm\u00eb, a do t\u00eb jet\u00eb po ajo \u201cItak\u00eb\u201c q\u00eb njihnim?!<\/p>","protected":false},"excerpt":{"rendered":"
Nga Aladin Stafa\/ Kishim gabuar kur mendonim se kultura e frekuentimit t\u00eb kinemas\u00eb kish humbur nd\u00ebr vite nd\u00ebrsa \u201crehatoheshim\u201c para Netflix. Dy jav\u00ebt e fundit treguan t\u00eb kund\u00ebrt\u00ebn. Kinemat\u00eb e gjith\u00eb bot\u00ebs u \u201cpushtuan\u201c nga turma t\u00eb frikshme ndjek\u00ebsish p\u00ebr dy filmat e fundit amerikan\u00eb, \u201cOdiseja\u201c dhe \u201cSpider-Man\u201c. Algoritmi dhe rrjetet sociale gjithashtu u fokusuan […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-95988","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/95988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=95988"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/95988\/revisions"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=95988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=95988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=95988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}