Nga Anila Sulstarova\/<\/p>\n
Teksa shihja \u201cThe Odyssey\u201d t\u00eb regjisorit Christopher Nolan, vazhdimisht m\u00eb krijohej ndjesia se nuk po shihja thjesht nj\u00eb hero q\u00eb p\u00ebrpiqej t\u00eb kthehej n\u00eb Itak\u00eb. M\u00eb dukej sikur po shihja nj\u00eb njeri q\u00eb, p\u00ebr vite me radh\u00eb, p\u00ebrpiqej t\u00eb gjente rrug\u00ebn p\u00ebr t\u2019u kthyer te vetja. Pra, drama e filmit l\u00ebviz n\u00eb procese t\u00eb thella psikologjike.<\/p>\n
N\u00eb shum\u00eb momente filmi m\u00eb ngjante me nj\u00eb proces terapie.<\/p>\n
Jo sepse dikush po analizonte emocionet e tij, por sepse vet\u00eb jeta po e detyronte ta b\u00ebnte k\u00ebt\u00eb. N\u00eb terapi nuk jan\u00eb gjithmon\u00eb interpretimet ato q\u00eb t\u00eb ndryshojn\u00eb. Shpesh \u00ebsht\u00eb vet\u00eb jeta ajo q\u00eb vazhdon t\u00eb t\u00eb vendos\u00eb p\u00ebrball\u00eb s\u00eb nj\u00ebjt\u00ebs tem\u00eb, derisa t\u00eb shoh\u00ebsh at\u00eb q\u00eb ke refuzuar t\u00eb shoh\u00ebsh.
\nSa m\u00eb shum\u00eb e mendoja, aq m\u00eb pak m\u00eb dukej se beteja e Odises\u00eb zhvillohej n\u00eb det. Beteja zhvillohej brenda tij.<\/p>\n
M\u00eb b\u00ebri shum\u00eb p\u00ebrshtypje m\u00ebnyra si filmi e trajton egon.<\/p>\n
Ne, zakonisht, e lidhim egon me krenarin\u00eb. Nuk jam e bindur se \u00ebsht\u00eb kaq e thjesht\u00eb. Shpesh egoja vishet me petkun e inteligjenc\u00ebs, t\u00eb aft\u00ebsis\u00eb apo t\u00eb bindjes se, n\u00ebse je mjaftuesh\u00ebm i zgjuar, do ta gjesh gjithmon\u00eb nj\u00eb zgjidhje.<\/p>\n
Odiseja \u00ebsht\u00eb pik\u00ebrisht ky njeri.<\/p>\n
Ai shp\u00ebton sepse \u00ebsht\u00eb inteligjent dhe dinak. Mbijeton sepse di t\u00eb llogaris\u00eb.<\/p>\n
P\u00ebr nj\u00eb koh\u00eb t\u00eb gjat\u00eb kjo funksionon. Por jeta nuk i gjykon zgjedhjet n\u00eb momentin kur i b\u00ebjm\u00eb. I gjykon vite m\u00eb von\u00eb. Ka vendime q\u00eb n\u00eb \u00e7astin kur u mor\u00ebn, dukeshin fitore. E, megjithat\u00eb, me kalimin e koh\u00ebs zbulohet se kan\u00eb qen\u00eb fillimi i nj\u00eb dhimbjeje q\u00eb do t\u00eb k\u00ebrkoj\u00eb vite p\u00ebr t\u2019u kuptuar dhe ndoshta gjith\u00eb jet\u00ebn p\u00ebr t\u2019u pajtuar me to.<\/p>\n
Kjo m\u00eb kujtoi di\u00e7ka q\u00eb e hasim shpesh edhe te njer\u00ebzit. Nuk jan\u00eb gjithmon\u00eb plag\u00ebt ato q\u00eb na mbajn\u00eb peng.<\/p>\n
Shpesh na mbajn\u00eb peng m\u00ebnyrat me t\u00eb cilat kemi mbijetuar. (Jam e bindur q\u00eb shum\u00eb njer\u00ebz kan\u00eb pishmane p\u00ebr zgjedhje t\u00eb caktuara n\u00eb k\u00ebto faza.)<\/p>\n
Ajo q\u00eb dikur na shp\u00ebtoi, m\u00eb von\u00eb mund t\u00eb na pengoj\u00eb t\u00eb jetojm\u00eb ose psher\u00ebtijm\u00eb kur e kujtojm\u00eb.
\nPastaj \u00ebsht\u00eb kontrolli. N\u00eb fillim t\u00eb filmit duket sikur gjith\u00e7ka varet nga zgjuarsia e Odises\u00eb. Mjafton t\u00eb gjej\u00eb strategjin\u00eb e duhur dhe gjith\u00e7ka do t\u00eb zgjidhet. Por, b\u00ebhet e qart\u00eb se ka forca q\u00eb nuk negociojn\u00eb me inteligjenc\u00ebn.<\/p>\n
N\u00eb mitologji quhen per\u00ebndi.<\/p>\n
N\u00eb jet\u00ebn ton\u00eb kan\u00eb emra t\u00eb tjer\u00eb: koha, humbja, s\u00ebmundja, lufta, vdekja, vendimet e njer\u00ebzve q\u00eb duam \u2013 ato nuk kontrollohen.<\/p>\n
Dhe ndoshta ky \u00ebsht\u00eb nj\u00eb nga momentet m\u00eb t\u00eb v\u00ebshtira t\u00eb pjekuris\u00eb: t\u00eb kuptosh se nuk je i gjith\u00ebfuqish\u00ebm.<\/p>\n
Por filmi, sipas meje, shkon edhe nj\u00eb hap m\u00eb tej.<\/p>\n
Ai nuk flet vet\u00ebm p\u00ebr njeriun q\u00eb p\u00ebrpiqet t\u00eb kontrolloj\u00eb jet\u00ebn. Flet edhe p\u00ebr tundimin p\u00ebr t\u00eb hequr dor\u00eb prej saj. Nj\u00eb nga skenat q\u00eb m\u00eb mbeti m\u00eb gjat\u00eb n\u00eb mendje ishte ajo e ishullit ku Odiseja kalon shtat\u00eb vjet.<\/p>\n
Shifra shtat\u00eb nuk \u00ebsht\u00eb rast\u00ebsore. N\u00eb shum\u00eb tradita fetare dhe filozofike ajo lidhet me nj\u00eb cik\u00ebl transformimi. Me nj\u00eb periudh\u00eb n\u00eb t\u00eb cil\u00ebn di\u00e7ka duhet t\u00eb p\u00ebrfundoj\u00eb, q\u00eb di\u00e7ka tjet\u00ebr t\u00eb mund t\u00eb lind\u00eb.<\/p>\n
Por ajo q\u00eb m\u00eb interesoi nuk ishte vet\u00ebm numri: ishte arsyeja pse ai q\u00ebndron.<\/p>\n
N\u00eb film, qoft\u00eb p\u00ebrmes lotusit apo p\u00ebrmes figur\u00ebs s\u00eb Kalipsos, mesazhi m\u00eb dukej i nj\u00ebjt\u00eb.
\nAi rri aty sepse pushon s\u00eb kujtuari. Humb kujtes\u00ebn e asaj se kush \u00ebsht\u00eb, nga vjen dhe ku duhet t\u00eb shkoj\u00eb.<\/p>\n
Dhe ndoshta kjo \u00ebsht\u00eb forma m\u00eb e rrezikshme e rob\u00ebris\u00eb. Jo kur nuk mund t\u00eb largohesh. Por kur nuk t\u00eb kujtohet m\u00eb pse duhet t\u00eb largohesh.<\/p>\n
Kjo m\u00eb dukej si nj\u00eb metafor\u00eb jasht\u00ebzakonisht e sakt\u00eb p\u00ebr psikik\u00ebn njer\u00ebzore. Ndonj\u00ebher\u00eb nuk jetojm\u00eb n\u00eb ferr. Jetojm\u00eb n\u00eb nj\u00eb parajs\u00eb t\u00eb vog\u00ebl.<\/p>\n
Mjaftuesh\u00ebm t\u00eb rehatshme p\u00ebr t\u00eb mos vuajtur, por jo aq t\u00eb v\u00ebrtet\u00eb sa t\u00eb jetojm\u00eb plot\u00ebsisht. Nj\u00eb paqe q\u00eb nuk lind nga pajtimi me veten, por nga harresa.<\/p>\n
Nga shmangia. Nga mpirja. Nga gjith\u00e7ka q\u00eb na ndihmon t\u00eb mos ndiejm\u00eb.<\/p>\n
\u00cbsht\u00eb nj\u00eb paqe q\u00eb nuk na sh\u00ebron. Na mban peng. Nd\u00ebrsa nuk vuajm\u00eb m\u00eb aq shum\u00eb, nuk ecim dot as drejt asaj q\u00eb jemi.<\/p>\n
N\u00eb at\u00eb \u00e7ast kuptova se ndoshta destinacioni yn\u00eb nuk pengohet gjithmon\u00eb nga dhimbja. Shpesh pengohet nga nj\u00eb paqe e rreme.<\/p>\n
Nga ajo lloj qet\u00ebsie q\u00eb na bind se nuk kemi pse t\u00eb ndryshojm\u00eb, nuk kemi pse t\u00eb kujtojm\u00eb, nuk kemi pse t\u00eb vazhdojm\u00eb rrug\u00ebn.<\/p>\n
Por nj\u00eb paqe q\u00eb blihet me harres\u00ebn, nuk \u00ebsht\u00eb paqe. \u00cbsht\u00eb vet\u00ebm mpirje, ose p\u00ebrgatitje p\u00ebr luft\u00ebn e v\u00ebrtet\u00eb.<\/p>\n
Dhe, ndoshta, kjo \u00ebsht\u00eb arsyeja pse Odiseja mund t\u00eb vazhdoj\u00eb udh\u00ebtimin vet\u00ebm pasi kujton. Sepse askush nuk mund t\u00eb kthehet n\u00eb sht\u00ebpi n\u00ebse m\u00eb par\u00eb nuk \u00ebsht\u00eb kthyer te vetja.
\nDhe mbase kjo \u00ebsht\u00eb ideja q\u00eb m\u00eb mbeti nga i gjith\u00eb filmi.<\/p>\n
Gjithkush e ka t\u00eb humbur luft\u00ebn me detin: per\u00ebndit\u00eb dhe fatin.<\/p>\n
Fitorja e vetme e mundshme \u00ebsht\u00eb t\u00eb mos humbas\u00ebsh veten nd\u00ebrsa kalon n\u00ebp\u00ebr to.
\nNdoshta p\u00ebr k\u00ebt\u00eb arsye Odiseja vazhdon t\u00eb mbetet nj\u00eb histori universale.<\/p>\n
Sepse secili prej nesh ka nj\u00eb Itak\u00eb.<\/p>\n
Ka edhe Ciklop\u00ebt e vet, edhe Poseidon\u00ebt e vet, edhe ishujt ku tundohet t\u00eb q\u00ebndroj\u00eb p\u00ebrgjithmon\u00eb.<\/p>\n
Por udh\u00ebtimi m\u00eb i r\u00ebnd\u00ebsish\u00ebm nuk \u00ebsht\u00eb ai drejt nj\u00eb vendi. \u00cbsht\u00eb ai drejt vetes.<\/p>","protected":false},"excerpt":{"rendered":"
Nga Anila Sulstarova\/ Teksa shihja \u201cThe Odyssey\u201d t\u00eb regjisorit Christopher Nolan, vazhdimisht m\u00eb krijohej ndjesia se nuk po shihja thjesht nj\u00eb hero q\u00eb p\u00ebrpiqej t\u00eb kthehej n\u00eb Itak\u00eb. M\u00eb dukej sikur po shihja nj\u00eb njeri q\u00eb, p\u00ebr vite me radh\u00eb, p\u00ebrpiqej t\u00eb gjente rrug\u00ebn p\u00ebr t\u2019u kthyer te vetja. Pra, drama e filmit l\u00ebviz n\u00eb […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-95359","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/95359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=95359"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/95359\/revisions"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=95359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=95359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=95359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}