Media italiane \u201cil manifesto\u201d i ka kushtuar nj\u00eb artikull dokumentarit t\u00eb prodhuar nga Roland Sejko \u201cFilm di stato\u201d (Filmi i shtetit) \u2014 prodhuar dhe shp\u00ebrndar\u00eb nga Luce Cinecitt\u00e0 \u2014 q\u00eb nga 14 prilli 2026 \u00ebsht\u00eb n\u00eb turne n\u00eb kinemat\u00eb italiane. Filmi, 78 minuta, rr\u00ebfen kat\u00ebr dekada t\u00eb diktatur\u00ebs s\u00eb Enver Hoxh\u00ebs p\u00ebrmes materialeve arkivore t\u00eb vet\u00eb regjimit: kinoditar\u00eb, filma propagandistik\u00eb dhe xhirime private nga arkivi personal i diktatorit, t\u00eb p\u00ebrdorura edhe fal\u00eb bashk\u00ebpunimit me AQSHF-n\u00eb.<\/p>\n
Para daljes n\u00eb sall\u00eb, filmi ka ndjekur nj\u00eb rrug\u00eb t\u00eb konsoliduar festivalesh: premiera bot\u00ebrore n\u00eb \u201cGiornate degli Autori\u201d (Dit\u00ebt e autorit), Festivali i Venecias 2025, p\u00ebrzgjedhje n\u00eb konkursin kryesor Opus Bonum t\u00eb Jihlava International Documentary Film Festival \u2014 ku ishte i vetmi titull italian \u2014 dhe pjes\u00ebmarrje n\u00eb Bif&st Bari 2026. Ka hyr\u00eb gjithashtu n\u00eb pes\u00ebshen finaliste t\u00eb Nastri d\u2019Argento (Shiriti i argjendt\u00eb) p\u00ebr dokumentarin.<\/p>\n\n
Pritja kritike ka qen\u00eb jo vet\u00ebm pozitive, por edhe dometh\u00ebn\u00ebse p\u00ebr profilin e filmit. Media prestigjioze si Corriere della Sera i ka kushtuar nj\u00eb analiz\u00eb t\u00eb gjer\u00eb me firm\u00ebn e Gian Antonio Stell\u00ebs, nd\u00ebrsa Variety \u2014 nj\u00eb nga referencat kryesore nd\u00ebrkomb\u00ebtare t\u00eb industris\u00eb kinematografike \u2014 e ka trajtuar filmin n\u00eb nj\u00eb kontekst m\u00eb t\u00eb gjer\u00eb historik dhe estetik, duke e lidhur me tradit\u00ebn vizuale t\u00eb propagand\u00ebs lindore. Edhe gazeta te tjera italiane si Il Foglio, Cineuropa, Cinematografo dhe Quinlan.it kan\u00eb vene ne pah se si filmi i Sejkos p\u00ebrmbys funksionin origjinal t\u00eb imazheve propagandistike, duke i kthyer ato n\u00eb nj\u00eb lexim kritik t\u00eb regjimit e duke e vendosur pun\u00ebn e tij prane atyre te regjisoreve si Sergei Loznitsa, Alexander Sokurov dhe Yervant Gianikian.<\/p>\n
Turneu italian p\u00ebrfshin disa nga sallat m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb kinemas\u00eb s\u00eb autorit: nga Arlecchino n\u00eb Milano te Nuovo Aquila n\u00eb Rom\u00eb, nga Modernissimo i Bolonj\u00ebs te La Compagnia n\u00eb Firence, p\u00ebr t\u00eb vazhduar n\u00eb qytete t\u00eb tjera si Bergamo, Mantova, Pisa, Napoli dhe Torino. N\u00eb shum\u00eb prej k\u00ebtyre shfaqjeve, regjisori \u00ebsht\u00eb i pranish\u00ebm me masterclass dhe takime me publikun. M\u00eb posht\u00eb \u00ebsht\u00eb shkrimi i plot\u00eb nga ilmanifesto.<\/p>\n
Nga Silvana Silvestri<\/p>\n
N\u00cb KINEMA Regjisori Roland Sejko, mes ironis\u00eb, patriotizmit dhe dashuris\u00eb p\u00ebr popullin e tij n\u00eb \u201cFilm di Stato\u201d<\/em><\/p>\n \u201cFilm di Stato\u201d \u00ebsht\u00eb i till\u00eb n\u00eb m\u00ebnyr\u00eb autentike ai i Roland Sejkos, sepse \u00ebsht\u00eb prodhuar me pamje zyrtare nga Arkivi i Filmit i Shqip\u00ebris\u00eb, nga Partia e Pun\u00ebs dhe Ministria e Mbrojtjes s\u00eb Shqip\u00ebris\u00eb. Por i till\u00eb \u00ebsht\u00eb n\u00eb m\u00ebnyr\u00ebn e vet, teksa krijon nj\u00eb ngaz\u00ebllim, nj\u00eb reflektim spektakolar mbi historin\u00eb, mbi pushtetin, mbi diktaturat dhe mbi zgjimin e nj\u00eb vendi t\u00eb mbajtur peng nga regjimi. Shqip\u00ebria \u00ebsht\u00eb rr\u00ebfyer nga Roland Sejko edhe n\u00eb dokumentar\u00ebt e tij t\u00eb m\u00ebparsh\u00ebm t\u00eb montazhit. (Anija \u2013 La nave, fitues i David di Donatello p\u00ebr dokumentarin m\u00eb t\u00eb mir\u00eb; La macchina delle immagini di Alfredo C., fitues i Nastro d\u2019Argento p\u00ebr docufilm-in m\u00eb t\u00eb mir\u00eb).<\/p>\n Pavar\u00ebsisht \u201celektrifikimit t\u00eb plot\u00eb\u201d, t\u00eb gjitha ngjarjet q\u00eb shohim zhvillohen gjat\u00eb dit\u00ebs, si nj\u00eb musical i pand\u00ebrprer\u00eb dhe verbues, me pak ndryshime skenografike, spektakle n\u00eb nder t\u00eb president\u00ebve t\u00eb huaj, q\u00eb shfaqen nj\u00ebri pas tjetrit, p\u00ebr aq koh\u00eb sa nuk jan\u00eb ende t\u00eb akuzuar p\u00ebr revizioniz\u00ebm.<\/p>\n NUK KA NEVOJ\u00cb p\u00ebr fjal\u00eb, nd\u00ebrhyrja e Sejkos shprehet qart\u00eb mes ironis\u00eb dhe patriotizmit, dashuris\u00eb p\u00ebr popullin e tij dhe nj\u00eb portreti t\u00eb pashlyesh\u00ebm t\u00eb Enver Hoxh\u00ebs, i ndjekur p\u00ebrgjat\u00eb gjith\u00eb jet\u00ebs s\u00eb tij. Mes shiut dhe lot\u00ebve, filmi hapet me dit\u00ebn e funeralit t\u00eb tij. M\u00eb pas shohim Tiran\u00ebn e shnd\u00ebrruar n\u00eb nj\u00eb set t\u00eb madh, me mij\u00ebra figurant\u00eb, sigurisht t\u00eb detyruar t\u00eb konfirmojn\u00eb pranin\u00eb e tyre n\u00eb shesh, t\u00eb duartrokasin dhe t\u00eb th\u00ebrrasin slogane, duke nisur nga nj\u00eb \u201cEnver-Tito\u201d q\u00eb sh\u00ebnon fillimin e nj\u00eb serie aleancash q\u00eb Shqip\u00ebria lidh n\u00eb panoram\u00ebn socialiste.<\/p>\n Pason: \u201cRroft\u00eb Stalini i dashur, miku m\u00eb i dashur i popullit\u201d, me nj\u00eb vizit\u00eb n\u00eb Mosk\u00eb te Mauzoleumi i Leninit, ku, qart\u00ebsisht i montuar n\u00eb mbivendosje me truk, bashkohen fytyrat e Enver Hoxh\u00ebs dhe Stalinit p\u00ebr t\u00eb evokuar ikonografin\u00eb e konsoliduar t\u00eb et\u00ebrve t\u00eb komunizmit. M\u00eb pas Stalini vdes dhe komunikimi drejtuar popullit \u2013 p\u00ebr t\u2019u mbajtur mend \u2013 \u00ebsht\u00eb: \u201cluftojm\u00eb p\u00ebr paqen n\u00eb bot\u00eb kund\u00ebr luft\u00ebnxit\u00ebsve imperialist\u00eb amerikan\u00eb e anglez\u00eb dhe sh\u00ebrb\u00ebtor\u00ebve t\u00eb tyre\u201d.<\/p>\n T\u00eb bie n\u00eb sy prania e krer\u00ebve t\u00eb shteteve, t\u00eb ushqyer mir\u00eb, p\u00ebrball\u00eb nj\u00eb populli t\u00eb dob\u00ebsuar, ushtar\u00ebve t\u00eb vegj\u00ebl me kominoshe dhe pushk\u00eb t\u00eb vogla, gjimnasteve t\u00eb holla q\u00eb dallohen qart\u00eb n\u00eb koreografit\u00eb e paradave t\u00eb ofruara p\u00ebr mysafir\u00ebt e shquar q\u00eb pasojn\u00eb nj\u00ebri-tjetrin nd\u00ebr vite, t\u00eb duartrokitur nga turma e filmuar gjithmon\u00eb si \u201cmas\u00eb\u201d.<\/p>\n FILLIMISHT p\u00ebrqafime dhe puthje: Hrushovi, pastaj \u00c7u En Lai, nj\u00ebri pas tjetrit t\u00eb likuiduar pasi akuzohen p\u00ebr revizioniz\u00ebm. Nd\u00ebrsa pamjet rrjedhin, filmi sjell nd\u00ebrmend edhe at\u00eb q\u00eb kemi njohur nga kinemaja shqiptare q\u00eb nga vitet \u201960 e n\u00eb vijim, episodet pas \u00e7lirimit, partizan\u00ebt, komedit\u00eb rurale, n\u00ebndet\u00ebset e \u201cBall\u00eb p\u00ebr Ball\u00eb\u201d t\u00eb Pirro Milkanit dhe Kujtim \u00c7ashkut (1979), q\u00eb rikujton ngjarjet e baz\u00ebs detare t\u00eb Pashalimanit, t\u00eb cil\u00ebn sovjetik\u00ebt nuk e sulmuan, nga romani i Ismail Kadares\u00eb, obsesioni p\u00ebr sloganet. \u201cSlogans\u201d u titullua m\u00eb pas filmi i vitit 2002 i Gjergj Xhuvanit, i vendosur n\u00eb nj\u00eb fshat ku nx\u00ebn\u00ebsit e fillores detyroheshin t\u00eb \u00e7onin gur\u00eb n\u00eb kod\u00ebr p\u00ebr t\u00eb formuar shkronjat e sloganeve q\u00eb lart\u00ebsonin komunizmin shqiptar, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb lexoheshin nga larg.<\/p>\n Por kishte mb\u00ebrritur tashm\u00eb epoka e zbulimit t\u00eb vendit misterioz p\u00ebrball\u00eb, i eksploruar edhe nga Gianni Amelio. Sikur e vetmja industri funksionale n\u00eb Shqip\u00ebri t\u00eb ishte ky shp\u00ebrthim i orkestruar i turm\u00ebs n\u00eb paradat p\u00ebr nder t\u00eb udh\u00ebheq\u00ebsit, n\u00eb kontrast p\u00ebrvijohet vetmia e tij, n\u00eb gjueti apo n\u00eb sh\u00ebtitje n\u00eb pyje, n\u00eb heshtjen pas brohorim\u00ebs s\u00eb turmave, n\u00eb vendimet e gjykatave kund\u00ebr armiqve t\u00eb klas\u00ebs, deri te heshtja dhe dob\u00ebsimi i pleq\u00ebris\u00eb, si p\u00ebr t\u00eb th\u00ebn\u00eb se \u00e7do gj\u00eb ka nj\u00eb fund.\/ ilmanifesto.it, p\u00ebrshtati n\u00eb shqip Lapsi.al<\/p>\n The post \u201cFilm di Stato\u201d, portreti i Shqip\u00ebris\u00eb s\u00eb Enver Hoxh\u00ebs n\u00eb kinemat\u00eb italiane<\/a> appeared first on Lapsi.al<\/a>.<\/p>","protected":false},"excerpt":{"rendered":" Media italiane \u201cil manifesto\u201d i ka kushtuar nj\u00eb artikull dokumentarit t\u00eb prodhuar nga Roland Sejko \u201cFilm di stato\u201d (Filmi i shtetit) \u2014 prodhuar dhe shp\u00ebrndar\u00eb nga Luce Cinecitt\u00e0 \u2014 q\u00eb nga 14 prilli 2026 \u00ebsht\u00eb n\u00eb turne n\u00eb kinemat\u00eb italiane. Filmi, 78 minuta, rr\u00ebfen kat\u00ebr dekada t\u00eb diktatur\u00ebs s\u00eb Enver Hoxh\u00ebs p\u00ebrmes materialeve arkivore t\u00eb […]<\/p>\n","protected":false},"author":0,"featured_media":82394,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-82393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/82393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=82393"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/82393\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media\/82394"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=82393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=82393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=82393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}