Regjisori feston dit\u00eblindjen mes miqsh, rr\u00ebfimesh dhe kujtimesh p\u00ebr koh\u00ebt kur xhirohej, kur punohej e kur dashurohej. Dhimit\u00ebr Anagnosti ka bere nje fest\u00eb t\u00eb vog\u00ebl n\u00eb Tiran\u00eb. Edhe pse kish dashur t\u00eb festonte nj\u00eb p\u00ebrvjetor n\u00eb heshtje me familjen si\u00e7 ia k\u00ebrkon natyra e tij, ka qen\u00eb Qendra Komb\u00ebtare e Kinematografis\u00eb dhe Arkivi Qendror Shtet\u00ebror i Filmit q\u00eb i kan\u00eb organizuar nj\u00eb ceremoni festive n\u00eb shenj\u00eb mir\u00ebnjohjeje regjisorit t\u00eb njohur Dhimit\u00ebr Anagnosti. Festa e kineast\u00ebve u kthye n\u00eb nj\u00eb takim ku p\u00ebrmes rr\u00ebfimesh u soll\u00ebn n\u00eb v\u00ebmendje, koh\u00ebt e shkuara, filmat, bisedat, miq\u00ebsit\u00eb, frik\u00ebrat dhe filmat e suksessh\u00ebm. Edhe pse tashm\u00eb ai ka hequr dor\u00eb nga kinemaja, uron q\u00eb ato q\u00eb mund t\u00eb l\u00ebr\u00eb t\u00eb shkruara t\u2019u sh\u00ebrbejn\u00eb regjisor\u00ebve t\u00eb rinj.<\/p>\n
Kineasti q\u00eb u ka dh\u00ebn\u00eb jet\u00eb filmave si: \u201dKomisari i drit\u00ebs\u201d, \u201cDueli i heshtur\u201d, \u201cKthimi i ushtris\u00eb s\u00eb vdekur\u201d, \u201cP\u00ebrrall\u00eb nga e kaluara\u201d, \u201cGur\u00ebt e sht\u00ebpis\u00eb sime\u201d, \u201cV\u00ebllez\u00ebr dhe shok\u00eb\u201d, \u201cN\u00eb sht\u00ebpin\u00eb ton\u00eb\u201d, \u201cMonumenti\u201d, \u201cLul\u00ebkuqet mbi mure\u201d, \u201cKur hiqen maskat\u201d, \u201cV\u00ebllez\u00ebr dhe shok\u00eb\u201d, \u201cGur\u00ebt e sht\u00ebpis\u00eb sime\u201d, \u201cGjoleka, djali i Abazit\u201d, dje vet\u00ebm fal\u00ebnderoi t\u00eb pranishmit. I t\u00ebrhequr, ai priti \u00e7do fjalim me buz\u00ebqeshje dhe me heshtje. N\u00eb fund, kur kujtimet e lavdet mbaruan, ai nuk e fshehu k\u00ebnaq\u00ebsin\u00eb p\u00ebr pranin\u00eb e madhe n\u00eb fest\u00eb, a si\u00e7 do t\u00eb thoshte Roza Anagnosti m\u00eb pas: \u201cNj\u00eb k\u00ebnaq\u00ebsi e madhe se nuk \u00ebsht\u00eb harruar dhe respektohet ende\u201d. Ndryshe prej shum\u00ebkujt, ai \u00ebsht\u00eb refuzues ndaj mediave. Mbase, p\u00ebr njer\u00ebz si ai, hyn n\u00eb fuqi ai rregulli standard \u201ci vepr\u00ebs q\u00eb flet, e njeriut q\u00eb hesht\u201d.<\/p>\n
I cil\u00ebsuar si nj\u00eb prej regjisor\u00ebve m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb vendit, Anagnostit i num\u00ebrohen n\u00eb karrier\u00ebn 40-vje\u00e7are, 15 skenar\u00eb, 14 filma artistik\u00eb, 10 dokumentar\u00eb dhe disa \u00e7mime komb\u00ebtare e nd\u00ebrkomb\u00ebtare. Artisti i Popullit\u201d dhe \u201cNderi i Kombit\u201d lindi n\u00eb vitin 1936 n\u00eb Vuno. \u201cK\u00ebta njer\u00ebz q\u00eb kan\u00eb punuar n\u00eb filmat tan\u00eb dua t\u2019i p\u00ebrsh\u00ebndes. Jeta jon\u00eb ka qen\u00eb komunikuese, dashamir\u00ebse. Nuk kemi pasur grindje, sepse secili kishte vepr\u00ebn e vet dhe e ndihmonim nj\u00ebri-tjetrin. Kemi nostalgji \u2013 n\u00eb k\u00ebt\u00eb koh\u00eb q\u00eb erdhi na duhet let\u00ebr e laps t\u00eb shkruajm\u00eb e t\u00eb l\u00ebm\u00eb ndonj\u00eb gj\u00eb. Ju faleminderit q\u00eb b\u00ebm\u00eb k\u00ebt\u00eb takim. Le t\u00eb jet\u00eb nj\u00eb dit\u00eb gazi e humori\u201d, \u2013 tha kineasti. Nd\u00ebrkaq, bashk\u00ebshortja e tij, aktorja Roza Anagnosti recitoi vargje nga t\u00eb tijat.<\/p>\n
JETA SIPAS MIQVE
\nFjal\u00ebn e hapjes dje e mbajti Ilir Butka, Kryetar i Qendr\u00ebs Komb\u00ebtare t\u00eb Kinematografis\u00eb. Mandej, p\u00ebrkrah \u00e7iftit t\u00eb Anagnostit, ai ftoi ministren Mirela Kumbaro, e cila e nisi fjal\u00ebn e saj me frazat: \u201cNuk kam asnj\u00eb lloj merite dhe asnj\u00eb arsye t\u00eb ve\u00e7ant\u00eb t\u00eb jem n\u00eb k\u00ebt\u00eb vend. Kjo i shkon detyr\u00ebs q\u00eb kam p\u00ebrkoh\u00ebsisht dhe jam e nderuar t\u00eb jem e pranishme n\u00eb 80-vjetorin e Anagnostit, pasuri e pa\u00e7muar komb\u00ebtare q\u00eb urojm\u00eb ta kemi sa m\u00eb gjat\u00eb mes nesh\u201d.<\/p>\n
Duke l\u00ebn\u00eb m\u00ebnjan\u00eb detyr\u00ebn q\u00eb mban, Kumbaro foli nj\u00eb cop\u00eb her\u00eb si spektatore dhe si nj\u00eb njeri i rritur me filmat e kineastit. \u201cPara tri dekadash, rast\u00ebsisht m\u00eb bie n\u00eb dor\u00eb skenari i filmit \u2018P\u00ebrrall\u00eb nga e kaluara\u2019. Nuk ishte b\u00ebr\u00eb ende film. E kam p\u00ebrpir\u00eb at\u00eb tekst, n\u00eb version skenari, kam qeshur pa fund dhe nj\u00ebher\u00ebsh kam qar\u00eb. Nuk e dija si do t\u00eb ishte ai film, e shihja t\u00eb paarritsh\u00ebm Anagnostin\u201d, kujtoi ajo, duke shtuar se \u201ckur teksti u b\u00eb imazh, u b\u00eb kinema, ishte nj\u00eb emocion q\u00eb vijoj ta kem edhe sot\u201d. Mes t\u00eb pranishm\u00ebve, Kumbaro ndau edhe nj\u00eb tjet\u00ebr rr\u00ebfim, q\u00eb kishte t\u00eb b\u00ebnte, k\u00ebt\u00eb her\u00eb jo me spektatoren, por me ministren. M\u00eb her\u00ebt, \u00ebsht\u00eb p\u00ebrmendur roli i kinemas\u00eb shqiptare n\u00eb Kin\u00eb, por Kumbaro, ndau me t\u00eb pranishmit bised\u00ebn e b\u00ebr\u00eb me ministrin kinez t\u00eb Kultur\u00ebs.<\/p>\n
\u201cGjithnj\u00eb thuhet se pas nj\u00eb burri t\u00eb fort\u00eb ka nj\u00eb grua t\u00eb men\u00e7ur e pas nj\u00eb gruaje t\u00eb bukur ka nj\u00eb burr\u00eb t\u00eb fort\u00eb, por n\u00ebse ka nj\u00eb model ku nuk jan\u00eb asnj\u00ebri pas tjetrit, por jan\u00eb t\u00eb dy gjithnj\u00eb p\u00ebrpara, k\u00ebta jan\u00eb Roza dhe Dhimit\u00ebr Anagnosti. T\u00eb bukur t\u00eb dy, vet\u00ebm se un\u00eb shum\u00eb dekada m\u00eb par\u00eb, kur nuk e dija kush ishte Dhimitri, dija shum\u00eb mir\u00eb kush ishte teta Roza. Dhe teta Roza ishte ikona, njeriu i dashur, jo vet\u00ebm i shqiptar\u00ebve, por edhe m\u00eb tej. N\u00eb nj\u00eb takim t\u00eb fundit q\u00eb kam pasur me ministrin e Kultur\u00ebs t\u00eb Kin\u00ebs, m\u00eb tha q\u00eb e vetmja kultur\u00eb, kinema, let\u00ebrsi dhe imazh q\u00eb i lejohej nga Europa Kin\u00ebs, ishte ajo nga Shqip\u00ebria. Dhe ata shikonin \u00e7do element q\u00eb vinte nga kinemaja shqiptare, si i vetmi imazh i Per\u00ebndimit. Dhe ikona p\u00ebr publikun kinez, ishte Roza Anagnosti. K\u00ebto jan\u00eb meritat e burrit m\u00eb t\u00eb bukur n\u00eb bot\u00eb: Dhimit\u00ebr Anagnosti\u201d. N\u00eb fund, Kumbaro la m\u00ebnjan\u00eb filmin, p\u00ebr t\u00eb folur p\u00ebr let\u00ebrsin\u00eb e Anagnostit, duke p\u00ebrmendur \u201cKoburen nga Europa\u201d, nga e cila citoi: \u201cNuk kam frik\u00eb t\u00eb shkojm\u00eb n\u00eb gjyqin e fundit, sepse aty do t\u00eb flas n\u00eb gjuh\u00ebn shqipe\u201d.<\/p>\n
Ministrja i dhuroi Anagnostit albumin e fundit t\u00eb Marubit, nj\u00eb album me thesare t\u00eb fillimeve t\u00eb kinemas\u00eb. \u201cKa pjes\u00ebn e vet para periudh\u00ebs s\u00eb diktatur\u00ebs dhe gjat\u00eb saj, ku artisti mbetet artist edhe n\u00ebn trysnin\u00eb e ideologjis\u00eb dhe propagand\u00ebs\u201d, \u2013 p\u00ebrfundoi Kumbaro. Pirro Milkani, n\u00eb em\u00ebr t\u00eb Forumit t\u00eb Kineast\u00ebve i dhuroi Anagnostit, nj\u00eb piktur\u00eb me pamje t\u00eb Vunoit, realizuar nga Ksenofon Dilo. \u201cDo kisha d\u00ebshir\u00eb q\u00eb t\u00eb kishim ata q\u00eb na mungojn\u00eb, si Viktor Gjika dhe Saim Kokona\u201d, tha Milkani, duke kujtuar se ishte Gjika ai q\u00eb e lidhi me Anagnostin para 60 vitesh. \u201cAta ishin n\u00eb Mosk\u00eb. M\u00eb pas, u njoh\u00ebm n\u00eb Tiran\u00eb m\u00eb 1961. Un\u00eb, Viktor Gjika dhe Saim Kokona kemi kontribut q\u00eb e bashkuam k\u00ebt\u00eb \u00e7ift(thot\u00eb duke iu drejtuar Roza dhe Dhimit\u00ebr Anagnostit). M\u00eb lejoni t\u2019ua kujtoj: Roza Xhuxha b\u00ebri nj\u00eb rol t\u00eb vog\u00ebl me recitim. Por rolin e par\u00eb e b\u00ebri me tre vet\u00eb: me Kristaq Dhamon, Viktor Gjik\u00ebn dhe Pirro Milkanin. Nj\u00eb dit\u00eb t\u00eb t\u00ebr\u00eb i kushtuam xhirimit t\u00eb atij episodi te \u2018Detyr\u00eb e posa\u00e7me\u2019, se e dinim si do ndodhte\u201d, tha Milkani, duke nisur t\u00eb tregoj\u00eb njohjen e \u00e7iftit. Regjisori i njohur tregoi se punuan me diga, me karbon dhe me drita. \u201cShkoi aq bukur, sa kur u shfaq filmi, ne pam\u00eb me bisht t\u00eb syrit q\u00eb t\u00eb p\u00eblqeu(i drejtohet prof.Dhimitrit). \u2018Pyete kush \u00ebsht\u00eb ajo vajz\u00eb\u2019 (p\u00ebr Roz\u00ebn), dhe ne e mor\u00ebm edhe te filmi \u2018Toka jon\u00eb\u2019\u201d, rr\u00ebfen Milkani, teksa duket sikur ndan me t\u00eb pranishmit nj\u00eb sekret.<\/p>\n
\u201cKishim hall si do dal\u00eb kjo vajz\u00eb q\u00eb kish filluar t\u00eb t\u00eb p\u00eblqente tek ai film. Saimi t\u00eb d\u00ebrgonte telegrame q\u00eb t\u00eb t\u00ebrbonte Sigurimin e Shtetit q\u00eb thoshte: rreth k\u00ebneta t\u00eb zeza, ndryshoni diafragm\u00ebn. Sigurimi i Shtetit mendonte se Saim Kokona e Dhimit\u00ebr Anagnosti ishin agjent\u00eb t\u00eb KGB-s\u00eb. Nj\u00eb jav\u00eb iu bllokuan telegramet derisa u zhbllokua enigma, duhej t\u00eb rregullonte diafragm\u00ebn derisa t\u00eb dilte Roza\u201d, tha Milkani, duke kujtuar madje edhe detajet e koh\u00ebs. \u201cErdhi Saim Kokona p\u00ebr k\u00ebto telegramet e m\u00eb thot\u00eb: Taqo me Roz\u00ebn, u ngat\u00ebrruan, tha. Kur e pyeta nga e di, m\u00eb tha se ai i kish marr\u00eb pantallonat borxh q\u00eb t\u00eb dilte t\u00eb takonte Roz\u00ebn\u201d. Doemos, detaje t\u00eb tilla u prit\u00ebn me duartrokitje nga t\u00eb pranishmit, nd\u00ebrsa Anagnost\u00ebt buz\u00ebqeshnin.<\/p>\n
The post Miqt\u00eb e Dhimit\u00ebr Anagnostit: Mori pantallona borxh kur doli n\u00eb fillim me Roz\u00ebn<\/a> appeared first on www.lexo.al<\/a>.<\/p>","protected":false},"excerpt":{"rendered":" Regjisori feston dit\u00eblindjen mes miqsh, rr\u00ebfimesh dhe kujtimesh p\u00ebr koh\u00ebt kur xhirohej, kur punohej e kur dashurohej. Dhimit\u00ebr Anagnosti ka bere nje fest\u00eb t\u00eb vog\u00ebl n\u00eb Tiran\u00eb. Edhe pse kish dashur t\u00eb festonte nj\u00eb p\u00ebrvjetor n\u00eb heshtje me familjen si\u00e7 ia k\u00ebrkon natyra e tij, ka qen\u00eb Qendra Komb\u00ebtare e Kinematografis\u00eb dhe Arkivi Qendror Shtet\u00ebror […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3699","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/3699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=3699"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/3699\/revisions"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=3699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=3699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=3699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}