Projekti i studios daneze BIG p\u00ebr nd\u00ebrtimin e nj\u00eb kulle n\u00eb Parkun Rinia n\u00eb Tiran\u00eb \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb qend\u00ebr t\u00eb kritikave nga gazetari Vincent Y\u016bsui van Gerven Oei.<\/p>\n
N\u00eb nj\u00eb artikull t\u00eb publikuar n\u00eb The Albanian Mechanism, Van Gerven Oei ngre pik\u00ebpyetje mbi m\u00ebnyr\u00ebn se si u zhvillua konkursi p\u00ebr projektin, por edhe mbi vet\u00eb arkitektur\u00ebn e kull\u00ebs s\u00eb propozuar n\u00eb nj\u00eb prej hap\u00ebsirave t\u00eb gjelbra t\u00eb qendr\u00ebs s\u00eb Tiran\u00ebs.<\/p>\n
Sipas gazetarit, konkursi nuk ishte b\u00ebr\u00eb publik p\u00ebrmes faqeve qeveritare t\u00eb prokurimeve. Ai sjell n\u00eb v\u00ebmendje edhe deklaratat e kryeministrit Edi Rama se juria po vendoste \u201ckrejt\u00ebsisht e lir\u00eb\u201d dhe \u201cpa asnj\u00eb orientim\u201d, duke pretenduar se Rama vet\u00eb kishte marr\u00eb pjes\u00eb n\u00eb intervista dhe diskutime gjat\u00eb procesit.<\/p>\n
Van Gerven Oei v\u00ebren se BIG, e vetmja studio p\u00ebr t\u00eb cil\u00ebn Rama kishte shprehur publikisht nj\u00eb sugjerim, rezultoi fituese e konkursit.<\/p>\n
N\u00eb artikull citohet edhe reagimi i Bjarke Ingels, i cili tha se kuptonte \u201cd\u00ebshir\u00ebn dhe lidershipin\u201d e Ram\u00ebs p\u00ebr \u201cgj\u00ebra t\u00eb bukura\u201d.<\/p>\n
\u201cElementet jan\u00eb marr\u00eb nga \u2018Cloud\u2019 i Fujimotos\u201d<\/p>\n
Kritika e gazetarit nuk ndalet te procesi i konkursit, por p\u00ebrqendrohet ve\u00e7an\u00ebrisht te ngjashm\u00ebria q\u00eb ai sheh mes kull\u00ebs s\u00eb BIG dhe instalacionit \u201cCloud\u201d t\u00eb arkitektit japonez Sou Fujimoto.<\/p>\n
Artikulli<\/strong><\/p>\n Nga Vincent Y\u016bsui van Gerven Oei\u00a0<\/strong><\/p>\n N\u00eb <\/span>artikullin e saj <\/span>p\u00ebr <\/span>Citizens<\/span>, <\/span><\/em>Erisa Kryeziu ofron detaje t\u00eb holl\u00ebsishme rreth k\u00ebtij projekti q\u00eb tani askush nuk duhet ta gjej\u00eb m\u00eb t\u00eb habitsh\u00ebm: \u201ckonkursi\u201d nuk ishte shpallur publikisht n\u00eb asnj\u00ebr\u00ebn prej faqeve t\u00eb internetit t\u00eb prokurimit qeveritar, dhe megjith\u00ebse kryeministri Edi Rama pretendoi se juria po vendoste \u201cplot\u00ebsisht lirisht\u201d dhe pa \u201casnj\u00eb orientim\u201d, ai vet\u00eb mori pjes\u00eb n\u00eb intervista dhe diskutime.<\/span><\/p>\n Si\u00e7 pritej, e vetmja kompani q\u00eb Rama dha publikisht nj\u00eb sugjerim fitoi gjithashtu konkursin: BIG.<\/strong><\/span><\/p>\n Ingels <\/span>deklaroi <\/span><\/a>n\u00eb p\u00ebrgjigje se e kuptonte \u201cd\u00ebshir\u00ebn dhe lidershipin e Ram\u00ebs p\u00ebr gj\u00ebra t\u00eb bukura\u201d. E gjith\u00eb kjo vjen sigurisht drejtp\u00ebrdrejt nga manuali i <\/span>Dosjeve Shqiptare <\/span><\/em>, dhe n\u00eb k\u00ebt\u00eb pik\u00eb duket sikur arkitekt\u00eb t\u00eb till\u00eb si Ingels e mbajn\u00eb paturp\u00ebsin\u00eb e tyre si nj\u00eb medalje nderi.<\/span><\/p>\n Kolektivi aktivist Arkitekt\u00ebt Shqiptar\u00eb, i cili ka b\u00ebr\u00eb shum\u00eb pun\u00eb t\u00eb r\u00ebnd\u00ebsishme rreth ndikimit d\u00ebmtues t\u00eb kompleksit shqiptar arkitekt-mafia, vuri n\u00eb dukje m\u00eb tej se an\u00ebtari i juris\u00eb Ilir Bejleri i SON Architects u rendit n\u00eb <\/span>The Albania Files <\/span><\/em>si \u201carkitekt ekzekutiv\u201d p\u00ebr BIG. An\u00ebtar\u00ebt e juris\u00eb Valerio Olgiati, Jos\u00e9 Selgas dhe Andrea Caputo jan\u00eb t\u00eb gjith\u00eb t\u00eb p\u00ebrfshir\u00eb n\u00eb projekte dizajni n\u00eb Shqip\u00ebri, nd\u00ebrsa an\u00ebtari i juris\u00eb Eelco Hooftman frekuenton ETH Zurich, ku arkitekti i gjykat\u00ebs s\u00eb Ram\u00ebs, Freek Persyn i 51N4E, ka projektin e tij t\u00eb vog\u00ebl, nd\u00ebrsa an\u00ebtarja e juris\u00eb Elena Tsolakis \u00ebsht\u00eb an\u00ebtare e bordit t\u00eb RIBA Trust, i cili i kishte dh\u00ebn\u00eb Ram\u00ebs nj\u00eb burs\u00eb nderi n\u00eb m\u00ebnyr\u00eb t\u00eb diskutueshme. Shum\u00eb e pavarur me t\u00eb v\u00ebrtet\u00eb!<\/span><\/p>\n Por kjo nuk \u00ebsht\u00eb pika ime kryesore k\u00ebtu. Ne t\u00eb gjith\u00eb e dim\u00eb q\u00eb k\u00ebto konkurse jan\u00eb t\u00eb manipuluara. Ne t\u00eb gjith\u00eb e dim\u00eb q\u00eb k\u00ebto juri jan\u00eb vet\u00ebm p\u00ebr sy e faqe. Ne t\u00eb gjith\u00eb e dim\u00eb q\u00eb i gjith\u00eb legjislacioni ekzistues mjedisor dhe urbanistik \u00ebsht\u00eb i par\u00ebnd\u00ebsish\u00ebm p\u00ebrball\u00eb \u201cd\u00ebshir\u00ebs\u201d s\u00eb Ram\u00ebs p\u00ebr gj\u00ebra t\u00eb bukura.<\/span><\/p>\n Dhe ne gjithashtu e dim\u00eb se ai \u00ebsht\u00eb me nxitim p\u00ebr t\u00eb \u00e7uar p\u00ebrpara sa m\u00eb shum\u00eb projekte zhvillimi t\u00eb pasurive t\u00eb paluajtshme p\u00ebrpara afateve t\u00eb pranimit n\u00eb BE dhe p\u00ebrpara r\u00ebnies s\u00eb tij t\u00eb pashmangshme nga pushteti. K\u00ebto xhepa duhen mbushur q\u00eb sot!<\/span><\/p>\n Poenta ime \u00ebsht\u00eb se sa tep\u00ebr derivate dhe patetike \u00ebsht\u00eb puna e Bjarke Ingels. Q\u00eb me projektin e <\/span>Teatrit Komb\u00ebtar n\u00eb Tiran\u00eb <\/span><\/a>, i cili vet\u00eb ishte i zhytur n\u00eb <\/span>skandal <\/span><\/a>, Ingels kishte rr\u00ebmbyer me shumic\u00eb nj\u00eb projekt t\u00eb nj\u00eb konkursi p\u00ebr <\/span>Teatrin e Operas n\u00eb Busan <\/span><\/a>nga Forma Architects.<\/span><\/p>\n Projektim i Sht\u00ebpis\u00eb s\u00eb Operas n\u00eb Busan nga Forma Architects (2011). N\u00eb rastin e \u201cCumulus\u201d-it t\u00eb Ingels-\u00ebve, e gjith\u00eb situata \u00ebsht\u00eb edhe m\u00eb qesharake. Dikush do t\u00eb mendonte se kur projektohet nj\u00eb nd\u00ebrtes\u00eb e vendosur n\u00eb nj\u00eb nga parqet m\u00eb t\u00eb dashura t\u00eb Tiran\u00ebs, nj\u00eb monument kulturor q\u00eb \u00ebsht\u00eb nj\u00eb nga hap\u00ebsirat e fundit t\u00eb gjelbra n\u00eb nj\u00eb peizazh urban q\u00eb po p\u00ebrkeq\u00ebsohet me shpejt\u00ebsi, do t\u00eb ishte e p\u00ebrshtatshme t\u00eb merrej n\u00eb konsiderat\u00eb konteksti dhe ata q\u00eb duhet t\u00eb <\/span>jetojn\u00eb <\/span><\/em>me nd\u00ebrtes\u00ebn.<\/span><\/p>\n Por n\u00eb vend t\u00eb k\u00ebsaj, duket se Ingels thjesht hodhi nj\u00eb v\u00ebshtrim t\u00eb ngath\u00ebt matan\u00eb bulevardit nga Parku Rinia n\u00eb hap\u00ebsir\u00ebn e hapur p\u00ebrpara Galeris\u00eb Komb\u00ebtare, vuri re mbetjet e trishtueshme t\u00eb vepr\u00ebs \u201cRe\u201d t\u00eb Sou Fujimotos, mori emrin dhe thjesht vendosi nj\u00eb version t\u00eb zmadhuar t\u00eb saj n\u00eb shtylla. Instalacioni i Fujimotos ishte <\/span>instaluar fillimisht <\/span><\/a>n\u00eb at\u00eb vend n\u00eb vitin 2016 si nj\u00eb instalacion \u201ci p\u00ebrkohsh\u00ebm\u201d trevje\u00e7ar me urdh\u00ebr t\u00eb Hans Ulrich Obrist t\u00eb Galeris\u00eb Serpentine. Baza e tij po aq \u201ce p\u00ebrkohshme\u201d prej betoni mb\u00ebshtetej n\u00eb rr\u00ebnj\u00ebt e nj\u00eb peme madh\u00ebshtore q\u00eb dikur kishte q\u00ebndruar n\u00eb t\u00eb nj\u00ebjtin vend, por ishte prer\u00eb si nj\u00eb \u201crrezik sigurie\u201d p\u00ebr festimet e 4 korrikut q\u00eb Ambasada e SHBA-s\u00eb donte t\u00eb organizonte n\u00eb t\u00eb nj\u00ebjtin vend.<\/span><\/p>\n Pavijoni \u201cRe\u201d i Sou Fujimotos, Tiran\u00eb (2016). Natyrisht, t\u00eb gjith\u00eb e kan\u00eb harruar tashm\u00eb natyr\u00ebn e p\u00ebrkohshme t\u00eb instalacionit t\u00eb Fujimotos, i cili me kalimin e viteve \u00ebsht\u00eb p\u00ebrkeq\u00ebsuar ndjesh\u00ebm n\u00eb sfondin e rinovimit t\u00eb p\u00ebrjetsh\u00ebm t\u00eb Galeris\u00eb Komb\u00ebtare. Por element\u00ebt e tij kryesor\u00eb strukturor\u00eb \u2013 nj\u00eb rrjet\u00eb e bardh\u00eb tredimensionale dhe disqe t\u00eb sheshta q\u00eb mbivendosen \u2013 padyshim q\u00eb p\u00ebrb\u00ebjn\u00eb shtyll\u00ebn kurrizore morfologjike t\u00eb dizajnit t\u00eb rrokaqiejve t\u00eb Ingels.<\/span><\/p>\n Mund ta pranoj faktin q\u00eb Ingels zgjedh ta fus\u00eb gjuh\u00ebn aq thell\u00eb n\u00eb t\u00eb pasmet e Ram\u00ebs saq\u00eb kryeministri mund t\u00eb k\u00ebndoj\u00eb n\u00eb danisht, ose q\u00eb i mbush xhepat me parat\u00eb e mafias q\u00eb jan\u00eb lar\u00eb n\u00eb gjakun e trafikant\u00ebve anonim\u00eb t\u00eb torturuar p\u00ebr vdekje n\u00eb xhungl\u00ebn ekuadoriane ose t\u00eb f\u00ebmij\u00ebve q\u00eb shkat\u00ebrrojn\u00eb qelizat e trurit t\u00eb tyre n\u00eb nj\u00eb klub nate n\u00eb Berlin. Por q\u00eb e b\u00ebn k\u00ebt\u00eb n\u00eb m\u00ebnyr\u00ebn m\u00eb dembel, t\u00eb pafrym\u00ebzuar dhe t\u00eb lir\u00eb, thjesht duke e shnd\u00ebrruar nj\u00eb pjes\u00eb t\u00eb l\u00ebn\u00eb pas dore t\u00eb arkitektur\u00ebs moderniste japoneze n\u00eb nj\u00eb kull\u00eb p\u00ebr ndonj\u00eb oligark t\u00eb rast\u00ebsish\u00ebm shqiptar dhe duke i dh\u00ebn\u00eb fund, e gjej nj\u00eb fyerje t\u00eb padurueshme ndaj shijes s\u00eb mir\u00eb. \/\u00a0The Albanian Mechanism<\/a><\/strong><\/span><\/p>\n The post Kulla tek Parku Rinia, kritika e gazetarit holandez: Nj\u00eb projekt i kopjuar, dembel dhe pa frym\u00ebzim<\/a> appeared first on GIJOTINA<\/a>.<\/p>","protected":false},"excerpt":{"rendered":" Projekti i studios daneze BIG p\u00ebr nd\u00ebrtimin e nj\u00eb kulle n\u00eb Parkun Rinia n\u00eb Tiran\u00eb \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb qend\u00ebr t\u00eb kritikave nga gazetari Vincent Y\u016bsui van Gerven Oei. N\u00eb nj\u00eb artikull t\u00eb publikuar n\u00eb The Albanian Mechanism, Van Gerven Oei ngre pik\u00ebpyetje mbi m\u00ebnyr\u00ebn se si u zhvillua konkursi p\u00ebr projektin, por edhe mbi vet\u00eb […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-101419","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/101419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/comments?post=101419"}],"version-history":[{"count":0,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/posts\/101419\/revisions"}],"wp:attachment":[{"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/media?parent=101419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/categories?post=101419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zennihost.com\/test\/wp-json\/wp\/v2\/tags?post=101419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nDizajni i Bjarke Ingels p\u00ebr Teatrin Komb\u00ebtar n\u00eb Tiran\u00eb (2018).<\/p>\n
\n\u201cCumulus\u201d i Bjarke Ingels n\u00eb Parku Rinia. Pamje nga faqja e tij n\u00eb Instagram (2026).<\/p>\n